‚s‚ˆ‚…‚Œ‚‚Ž‚‰‚‚•‚“@‚l‚‚Ž‚‹^‚o‚‰‚‚Ž‚@‚r‚‚Œ‚
i‚r‚—‚‰‚Ž‚‡@‚R‚R@‚R‚S‚Qj‚P‚O‚‰‚Ž‚ƒ‚ˆ@i•§j‚P‚X‚T‚S

‚b‚g‚h‚b‚n@‚g‚`‚l‚h‚k‚s‚n‚m/‚s‚g‚`‚s@‚g‚`‚l‚h‚k‚s‚n‚m@‚l‚`‚m
i‚r‚d‚r‚`‚b@‚mE‚Q‚X‚O‚P/‚O‚Qj@‚tD‚rD‚`D‚P‚X‚T‚X@LA.
‚d‚q‚h‚b@‚c‚n‚k‚o‚g‚xi‚‚“/‚†‚Œ/BD‚ƒ‚Œj‚c‚d‚m‚m‚h‚r@‚a‚t‚c‚h‚l‚h‚qi‚‡j
‚m‚`‚s‚g‚`‚m@‚f‚d‚q‚r‚g‚l‚`‚mi‚ƒ‚…‚Œ‚Œ‚j‚v‚x‚`‚s‚s@‚q‚t‚s‚g‚d‚q^‚q‚`‚k‚o‚g@‚o‚d‚m‚`i‚‚j‚b‚g‚h‚b‚n@‚g‚`‚l‚h‚k‚s‚n‚mi‚„‚“j

‚c‚d‚w‚s‚d‚q@‚f‚n‚q‚c‚n‚m^‚c‚…‚˜‚”‚…‚’@‚a‚Œ‚‚—‚“@‚g‚‚”@•@‚b‚‚‚Œ
i‚c‚‚‚”‚‚Ž‚…@‚c‚k@‚Q‚O‚Vjred@waxDU.S.A.@
‚i‚h‚l@‚q‚n‚a‚h‚m‚r‚n‚mi‚”‚j‚c‚d‚w‚s‚d‚q@‚f‚n‚q‚c‚n‚mi‚”‚“j
‚b‚`‚q‚k@‚o‚d‚q‚j‚h‚m‚ri‚j‚k‚d‚q‚n‚x@‚u‚h‚m‚m‚d‚f‚`‚qi‚‚j
‚b‚g‚t‚b‚j@‚s‚g‚n‚l‚o‚r‚n‚mi‚„‚“j

CHARLIE PAKER/ALTERNATE MASTERS Vol.2
iDIAL 905j

HANK MOBLEY
iBLUE NOTE 1568jU.S.A.
‚a‚h‚k‚k@‚g‚`‚q‚c‚l‚`‚mi‚”‚j‚b‚t‚q‚s‚h‚r@‚o‚n‚q‚s‚d‚qi‚‚“/‚”‚“j‚g‚`‚m‚j@‚l‚n‚a‚k‚d‚xi‚”‚“j
‚r‚n‚m‚m‚x@‚b‚k‚`‚q‚ji‚j‚o‚`‚t‚k@‚b‚g‚`‚l‚a‚d‚q‚ri‚‚j‚`‚q‚s@‚s‚`‚x‚k‚n‚qi‚„‚“j

‚j‚d‚m‚m‚d‚x@‚c‚q‚d‚v^‚t‚m‚c‚d‚q‚b‚t‚q‚q‚m‚s
i‚a‚k‚t‚d@‚m‚n‚s‚d@‚S‚O‚T‚Xjtest pressing.@U.S.A.
‚e‚q‚d‚c‚c‚h‚d@‚g‚t‚a‚a‚`‚q‚ci‚”‚j‚g‚`‚m‚j@‚l‚n‚a‚k‚d‚xi‚”‚“j
‚j‚d‚m‚m‚x@‚c‚q‚d‚vi‚j‚r‚`‚l@‚i‚n‚m‚d‚ri‚‚j
‚k‚n‚t‚h‚r@‚g‚`‚x‚d‚ri‚„‚“j
‚P‚X‚U‚O”N@‚P‚QŒŽ‚P‚P“ϊ@‚m‚iD

SONNY CLARK/COOL STRUTTINf
iBLUE NOTE 1588jU.S.A.
ART FARMER(tp)JACKIE McLEAN(as)SONNY CLARK(p)PAUL CHAMBERS(b)"PHILLY" JOE JONES(ds)

TINA BROOKS/BACK TO THE TRACKS
iBLU NOTE 4052j‚•‚Ž‚‰‚“‚“‚•‚…‚„@U.S.A.
BLUE MITCHELL(tp)JACKIE McLEAN(as)TINA BROOKS(ts)KENNY DREW(p)
PAUL CHAMBERS(b)ART TAYLOR(ds)

‚k‚`‚v‚q‚d‚m‚b‚d@‚l‚`‚q‚`‚a‚k‚d`JAMES CLAY/TENNOR MANiJAZZ WEST 8j@U.S.A.@‚P‚X‚T‚U
‚i‚`‚l‚d‚r@‚b‚k‚`‚xi‚”‚“j‚r‚n‚m‚m‚x@‚b‚k‚`‚q‚ji‚j
‚i‚h‚l‚l‚x@‚a‚n‚m‚ci‚‚j‚k‚`‚v‚q‚d‚m‚b‚d@‚l‚`‚q‚`‚a‚k‚di‚„‚“j

‚i‚‚š‚š@‚`‚”@‚k‚‰‚‚‚…‚’‚”‚™^‚`D‚e‚‚’‚‚…‚’C‚oD‚v‚‚‚„‚“C‚yD‚r‚‰‚‚“DD
i‚m‚@‚m‚•‚‚‚‚…‚’j‚m‚‚”@‚e‚‚’@‚r‚‚Œ‚…
‚`‚q‚s@‚e‚`‚q‚l‚d‚qi‚”‚/‚†‚Œ‚ˆj‚o‚g‚h‚k@‚v‚n‚n‚c‚ri‚‚“j‚y‚n‚n‚s@‚r‚h‚l‚ri‚”‚“j‚a‚n‚a@‚a‚q‚n‚n‚j‚l‚d‚x‚`‚qi‚uD‚”‚‚j
‚m‚h‚b‚j@‚a‚q‚h‚f‚m‚n‚k‚`i‚‚‚“j‚i‚n‚g‚m@‚a‚t‚m‚b‚gi‚j‚a‚h‚k‚k@‚b‚q‚n‚vi‚‚j‚v‚`‚k‚s‚d‚q@‚o‚d‚q‚j‚h‚m‚ri‚„‚“j
‚`‚k@‚b‚g‚n‚mi‚k‚…‚‚„‚…‚’^‚`‚’‚’‚‚Ž‚‡‚…‚’j

@@@@@@ @@@@@@

‚g‚`‚q‚k‚d‚l@‚x‚n‚t‚s‚g@UNLIMITED^‚j‚…‚Ž‚Ž‚™@‚c‚•‚’‚ˆ‚‚
i‚m‚@‚m‚•‚‚‚‚…‚’jU.S.A.
‚j‚d‚m‚m‚x@‚c‚n‚q‚g‚`‚li‚”‚j‚a‚`‚q‚q‚x@‚g‚`‚q‚q‚h‚ri‚j
‚i‚t‚k‚h‚`‚m@‚d‚t‚d‚k‚ki‚‚j‚`‚k@‚g‚d‚`‚s‚gi‚„‚“j
‚h‚Ž@‚`‚•‚‡‚•‚“‚”@‚P‚X‚U‚S@‚m‚…‚—@‚x‚‚’‚‹D

‚k‚…‚…@‚v‚‰‚Œ‚…‚™^‚m‚‰‚‡‚ˆ‚”@‚h‚Ž@‚l‚‚Ž‚ˆ‚‚”‚”‚‚Ž
i‚b‚‚Œ‚•‚‚‚‚‰‚@‚b‚k@‚U‚P‚U‚Xj‚P‚O‚‰‚Ž‚ƒ‚ˆ@i‚tD‚rD‚`Dj

‚g‚…‚Œ‚…‚Ž@‚—‚‚’‚„^‚‰‚”e‚“@‚‚‚…‚…‚Ž@‚“‚@‚Œ‚‚Ž‚‡
i‚b‚‚Œ‚•‚‚‚‚‰‚@‚b‚k@‚U‚Q‚V‚Pj‚P‚O‚‰‚Ž‚ƒ‚ˆ@i‚tD‚rD‚`Dj

‚o‚‰‚Ž‚‹‚™^‚o‚‰‚Ž‚‹‚™@‚v‚‰‚Ž‚”‚…‚’‚“
i‚u‚‚Ž‚”‚‚‡‚…@‚u‚k‚o|‚Rj‚P‚O‚‰‚Ž‚ƒ‚ˆ@i‚tD‚rD‚`Dj

‚y‚‚‚”@‚r‚‰‚‚“
i‚c‚•‚ƒ‚’‚…‚”‚…‚”|‚s‚ˆ‚‚‚“‚‚Ž@‚Q‚T‚O‚u‚O‚Q‚Rj‚P‚O‚‰‚Ž‚ƒ‚ˆ@i•§j‚P‚X‚T‚S
JOHN@EARDLEYi‚”‚jZOOT@SIMSi‚”‚“jHENRI@RENAUDi‚j
BENOIT@QUERSINi‚‚jCHARLES@SAUDRAISi‚„‚“j

‚c‚‚Ž@‚q‚…‚Ž‚„‚…‚Œ‚Œ^‚‚…‚…‚”
i‚s‚…‚‚‚@‚k‚`‚o@‚Pj‚P‚O‚‰‚Ž‚ƒ‚ˆ@i‰pj
DON@RENDELLi‚”‚“jDAMIAN@ROBINSONi‚jPEIER@ELDERFIELD@‚‚’@‚r‚`‚l‚l‚x@‚r‚s‚n‚j‚d‚q‚ri‚‚j
‚c‚n‚m@‚k‚`‚v‚r‚n‚m@‚‚’@‚a‚d‚m‚m‚x@‚f‚n‚n‚c‚l‚`‚mi‚„‚“j

‚g‚‚Ž‚“@‚j‚‚Œ‚Œ‚…‚’^‚‚Ž‚„@‚”‚ˆ‚…@‚`‚•‚“‚’‚‰‚|‚`‚Œ‚Œ|‚r‚”‚‚’‚“
i‚`‚•‚“‚”‚‚”‚‚Ž@‚l‚k‚o@‚S‚Rj‚P‚O‚‰‚Ž‚ƒ‚ˆ@iƒI[ƒXƒgƒŠƒAj

‚g‚`‚m‚r@‚j‚n‚k‚k‚qi‚”‚“j‚g‚`‚m‚r@‚r‚`‚k‚d‚l‚d‚mi‚‚“j
‚c‚h‚b‚j@‚l‚t‚q‚o‚g‚xi‚”‚j‚i‚n‚d@‚y‚`‚v‚h‚m‚t‚ki‚j
‚j‚t‚q‚s@‚v‚d‚k‚ci‚‚j‚u‚h‚j‚s‚n‚q@‚o‚k‚`‚r‚h‚ki‚„‚“j

‚j‚`‚q‚k@‚c‚q‚d‚v‚ni‚”‚“j‚g‚`‚m‚r@‚r‚n‚k‚n‚l‚`‚mi‚‚“j
‚i‚n‚d@‚y‚`‚v‚h‚m‚t‚ki‚j‚q‚t‚c‚n‚k‚e@‚g‚`‚m‚r‚d‚mi‚‚j
‚u‚h‚j‚s‚n‚q@‚o‚k‚`‚r‚h‚ki‚„‚“j

BENT JADIG/DANISH JAZZMAN 1967
iDEBUT 1149jDenmark@‚P‚X‚U‚V
ALLAN BOTSCHINSKYEDUSKO GOYKOVICH(‚”‚E‚†‚Œ‚ˆ)
BENT JADIG(‚”‚“E‚†‚Œ)BENT AXEN(‚)NIELS HENNING ORSTED PEDERSENi‚‚jALEX RIEL(‚„‚“)

‚a‚`‚q‚m‚d‚x@‚v‚h‚k‚d‚m@‚p‚t‚h‚m‚s‚d‚s
i‚f‚•‚‰‚Œ‚„‚…@‚„‚•@‚i‚‚š‚š@‚i|‚P‚Q‚R‚Xj
‚a‚`‚q‚m‚d‚x@‚v‚h‚k‚d‚mi‚”‚“j‚g‚t‚a‚d‚q‚s@‚e‚n‚k(as)@NICO BUNNINCK(‚)LLOYD THOMPSON(‚‚)AL LEVITT(‚„‚“)

ERIC DOLPHY/IN EUROPE
iDEBUT@DEB136jDenmark@‚P‚X‚U‚P
ERIC DOLPHY(as./b.cl/fl.) BENT AXEN(p)
ERIK MOSEHOLM(b.)CHUCK ISRAELS(b.)JORN ELNIFF(ds.)

CHARLIE PARKER-ARNE DOMNERUS/In SWEDEN
iOKTAV 164j
CHARLIE PARKERi‚‚“j‚q‚n‚k‚e@‚d‚q‚h‚b‚r‚r‚n‚mi‚”‚j
‚f‚n‚r‚s‚`@‚s‚g‚d‚r‚d‚k‚h‚t‚ri‚j‚s‚g‚n‚q‚d@‚i‚d‚c‚d‚q‚a‚xi‚‚j
‚i‚`‚b‚j@‚m‚n‚q‚d‚mi‚„‚“j‚`‚q‚m‚d@‚c‚n‚l‚m‚d‚q‚t‚ri‚‚“j

DUSKO GOYKOVICH/Swinging Macedonia
(PHILIPS 843 942 PY)Germany 1966
‚c‚t‚r‚j‚n@‚f‚n‚x‚j‚n‚u‚h‚b‚gi‚”‚/‚†‚Œ‚ˆj‚d‚c‚c‚h‚d@‚a‚t‚r‚m‚d‚k‚k‚ni‚‚“j‚m‚`‚s‚g‚`‚m@‚c‚`‚u‚h‚ri‚”‚“/‚†‚Œj
‚l‚`‚k@‚v‚`‚k‚c‚q‚n‚mi‚j
‚o‚d‚s‚d‚q@‚s‚q‚t‚m‚ji‚‚j‚b‚d‚d‚r@‚r‚d‚di‚„‚“j

TOMMY FLANAGAN TRIO
(METRONOME) EP 311/312/313 Sweden
TOMMY FLANAGAN(‚)
WILLBAR LITTLE(‚‚)
ELVIN JONES(‚„‚“)

‚`‚m‚m@‚a‚t‚q‚s‚n‚m
i‚c‚d‚b‚b‚`j‚a‚t‚V‚O‚O‚P‚V@‚g‚‚Œ‚Œ‚‚Ž‚„
‚v‚‰‚”‚ˆ@‚n‚’‚ƒ‚ˆ‚…‚“‚”‚’‚@‚c‚‰‚’‚…‚ƒ‚”‚…‚„
@‚a‚™@‚e‚q‚`‚m‚r@‚d‚k‚r‚d‚m

‚c‚t‚j‚d@‚d‚k‚k‚h‚m‚f‚s‚n‚m@‚`‚Ž‚„@
‚i‚h‚l‚l‚x@‚a‚k‚`‚m‚s‚n‚m/‚c‚t‚n
i‚q‚b‚`j‚S‚T‚d‚o@‚d‚o‚`|‚U‚P‚X

‚…‚’‚Ž‚…‚“‚”‚‰‚Ž‚…@‚‚Ž‚„‚…‚’‚“‚‚Ž
i‚l‚d‚s‚q‚n‚m‚n‚l‚dj‚l‚d‚o@‚P‚X‚O
‚v‚‰‚”‚ˆ@‚c‚•‚‹‚…@‚i‚‚’‚„‚‚Ži‚j
‚i‚‚ˆ‚Ž@‚r‚‰‚‚‚‚Ž‚“i‚‚j
‚‚’‚”@‚”‚‚™‚Œ‚‚’i‚„‚“Dj

DONNA BROOKS/‚r‚‚†‚”@And@‚r‚Œ‚‚—
i‚a‚d‚s‚g‚k‚d‚g‚d‚lj‚d‚o@‚P‚O‚S
‚v‚‰‚”‚ˆ@‚b‚ˆ‚•‚ƒ‚‹@‚v‚‚™‚Ž‚…i‚‡j
‚a‚‚‚‚‚‚™@Scotti‚j
‚l‚‰‚Œ‚”@‚g‚‰‚Ž‚”‚‚Ži‚‚j
‚a‚‰‚Œ‚Œ@‚d‚˜‚Ž‚…‚’i‚„‚“j

‚s‚d‚q‚q‚x@‚l‚n‚q‚d‚k^‚r‚‰‚Ž‚‡‚“
(PRESTIGE) EP 1374
‚s‚d‚q‚q‚x@‚l‚n‚q‚d‚kiVocalj
TONY LOUIS(‚)
RON ANDREWS(‚‚)HANK NANNI(‚„‚“)
‚P‚X‚T‚T”N@‚TŒŽ‚P‚O“ϊ

‚r‚n‚m‚m‚x@‚b‚q‚h‚r‚r
i‚b‚k‚d‚ej‚d‚o|‚P‚P‚T

‚b‚g‚`‚q‚k‚h‚d@‚o‚`‚q‚j‚d‚q
i‚r‚`‚u‚n‚xj

‚b‚ˆ‚‚’‚Œ‚‰‚…@‚l‚‚’‚‰‚‚Ž‚@
i‚a‚d‚s‚g‚k‚d‚g‚d‚lj‚a‚d‚o|‚P‚P‚V

‚k‚d‚d@‚v‚h‚k‚d‚x/‚r‚‚‚…‚”‚ˆ‚‰‚Ž‚‡@
‚`‚‚‚‚•‚”@‚k‚…‚…@‚v‚‰‚Œ‚…‚™
i‚q‚b‚`@‚u‚h‚b‚s‚n‚qj‚o‚q|‚P‚S‚W
‚b‚g‚q‚x‚r‚k‚d‚q@‚b‚n‚q‚o‚n‚q‚`‚s‚h‚n‚m







‚r‚sC‚s‚g‚n‚l‚`‚r
‚r‚‚Ž‚Ž‚™@‚q‚‚Œ‚Œ‚‰‚Ž‚“i‚”‚“j@‚g‚…‚Ž‚’‚™@‚f‚’‚‰‚‚…‚“i‚‚j
‚o‚…‚”‚…@‚q‚@‚q‚‚ƒ‚ƒ‚i‚„‚“Dj@‚P‚X‚T‚X

‚v‚`‚k‚j‚h‚me
‚l‚‰‚Œ‚…‚“@‚c‚‚–‚‰‚“i‚”‚j@‚r‚‚Ž‚Ž‚™@‚r‚”‚‰‚”‚”i‚”‚“j
‚v‚™‚Ž‚”‚‚Ž@‚j‚…‚Œ‚™i‚j@‚o‚‚•‚Œ@‚b‚ˆ‚‚‚‚‚…‚’‚“i‚‚j
‚i‚‰‚‚‚™@‚b‚‚‚i‚„‚“j@‚P‚X‚U‚O

‚a‚‰‚’‚„@‚m‚‚”‚…‚“@‚m‚@‚m‚•‚‚‚‚…‚’
‚n‚Ž‚Œ‚™@‚P‚O@‚b‚‚‚‰‚…‚“B

TEDDY WILSON-BILLIE HOLIDAY
iCOLUMBIAjC-61

COUNT BASIE AT THE PIANO
iDECCAjNo.152@

BE E@BOP JAZZ
iDIAL@‚Pj

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‚v‚h‚s‚g@‚r‚s‚q‚h‚m‚f‚r
i‚l‚d‚q‚b‚t‚q‚xj‚b‚P‚O‚P@‚r‚o^‚d‚o^‚k‚o

LEE WILEY/‚r‚‰‚Ž‚‡‚“ and LENNIE
TRISTANO plays
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LEE WILEY/RODGERS AND HART
ALBUM
iGala@Albumj

‚k‚d‚d@‚v‚h‚k‚d‚x/‚f‚d‚n‚q‚f‚d‚f‚d‚q‚r‚g‚v‚h‚m
@‚`‚k‚a‚t‚l
i‚k‚h‚a‚d‚q‚s‚x@‚l‚t‚r‚h‚bj

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@‚`‚k‚a‚t‚l
i‚k‚h‚a‚d‚q‚s‚x@‚l‚t‚r‚h‚bj

LEE WILEY/SINGS SONGS
By Harold Arlen
iSCHIRMERjNo.18

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